Lighting and Projection Design.Photo by Chesley Cannon</>Directed by Eric JohnsonSet and Properties Design by Tom LeeCostume Design by Lacy Rohlf
Projections created as grayscale renders in After Effects and colorized / controlled in Isadora. Photo by Chesley Cannon.
LED strips were controlled by three DMX boxes allowing individual control of RGB. Photo by Chesley Cannon.
Opening ‘Credits Song’ lighting had to be kept dim to not wash out LED hula hoops.Photo by Chesley Cannon
Graphic shapes could be projected and used as front light. Photo by Chesley Cannon
I built the Bill-San lizard puppet based on a sketch by set designer Tom Lee.Photo by Chesley Cannon
A rippling caustics pattern was superimposed on a pulsating kaleidoscope/ink-blot pattern to create a trippy background for the Caterpillar’s scene.Photo by Chesley Cannon
The fans that created the Cheshire Cat were lit using a projected “rippling tiger stripes” pattern that followed the puppet around the stage like a follow spot thanks to a series of Isadora triggers.Photo by Chesley Cannon
Photo by Chesley Cannon
Lighting and Projection Design.
Honolulu Theatre for Youth
Lighting & Projection Design